Welcome to my character portrait gallery

For anyone who is wondering, Wednesday became 'black Wednesday' for me because I cannot draw mid-week!
In fact I'm sure the rainforests mourn Wednesday too by the amount of paper I tear through in frustration... so this is a blog for all who know what like it is to regularly shout at their pencils
Oh yes it's also all about fictional characters plus interviews with them, yeah, that too :)


Showing posts with label glyphs. Show all posts
Showing posts with label glyphs. Show all posts

Wednesday, December 25, 2013

Happy Holidays! :D 2013

So here’s a snapshot of all our elves in one place (excluding Dirzryn’s three brothers), the party invite cited fancy dress as a requisite with the theme of ‘atypical elves,’ however it seems the interpretation and effort made by various individuals varied greatly.

Christmas Elves



Left to right, top to bottom we have:

Alanor (bottom left, pregnant woman, sitting in left chair)
Dioxa (left, shy lass with piercings and stripy top in front of fireplace)
Orin (left, the lad with bright blonde hair who is stealing a candy cane)
Tor (top left the tall pale blue fellow who is propping up the drunk)
Fedura (top left, the drunk)
Tahl(upper centre, fellow with red hair who is trying to appear interested in the conversation)
Saffron (upper centre, the woman talking AT Tahl)
Lady Vay (right, the woman stood in front of the tree sneering down on everyone)
Mathiaas (right, he’s holding up a glass, almost hidden below Vay)
Riaf (right, the blonde very stoned looking lad on the sofa)
Ungus (centre, the tubby one in the santa hat)
Tomor (centre, the lass who is holding mistletoe and giggling)
Dirzryn (centre, sat on sofa wishing he were anywhere else but here)

Wishing everyone a great festive season and good elf for the new year 
- sorry just couldn’t resist that pun :P

See you all in 2014! :D

Sunday, August 18, 2013

'I Couldn't Care Less'


 Well, in view of our editor in chief being somewhat out of action this week we thought we'd send our snoops out to capture a few moments in time from around the Aftlands.

Those who made it back had some interesting tales to tell for sure as well as a few intriguing visual snippets to tickle our eyeballs. Anyways, to cut a long story short here is our digital artist’s rendition of tender Tomor and our dearest Dirzryn, mid-conversation. 

Titled 'I couldn't care less,' we'll let you decide who is doing the talking here:



Saturday, March 30, 2013

Alanor O'Danach



At 47years of age and respectable 5ft tall Alanor O’Danach bears the outward appearance of a stern woman, one of great poise and dignity who we mistakenly thought would spend most of the interview looking down her nose at us lowly workers. Instead we find her to possess an inquisitive nature one that reveals a calm, genuine and kind-hearted lady who is more than interested in her current surroundings and the people therein.  

That said we immediately learn she has an intense dislike of being nicknamed ‘Alan,’ and nicknames in general. She professes we may call her, ‘Lana,’ if we must shorten her name, however doesn’t see how anyone can be so lazy as to avoid pronouncing a third syllable. We’ll take it as a given that her husband doesn’t have a pet name for her then.

A well-respected lady of commerce Alanor is also Mathias' younger sister and hence bears the O’Mahryn family glyph on her forehead. Whilst incredibly busy with her own work she has frequent contact with her brother and young niece Tomor. This is partly due to the fact that the O’Danach business ties in well with the O’Mahryn’s, Mathias and Tomor raise and sell wyvern, whilst Devahn and Alanor design, fix and manufacture riding apparatus, armour and clothing. She is quick to inform us that she didn’t marry Devahn because of their obvious business ties but rather that their shared investments led them to meet. 

From the way Alanor speaks of her husband it is clear that she is actually deeply in love with him, which is fortunate considering all drow have their spouse’s family glyph permanently emblazoned atop their left hand. Marriage laws are a serious business in drow society as are the constraints on child rearing. So what if they want to get divorced or the spouse dies? We are sure you are wondering as that was the first thing we immediately cried. Well, Alanor explains that yes divorce does happen and if the reasons are legitimate or a spouse dies then the glyph is merely faded. She explains further that if however the divorce occurs for an untoward reason such as infidelity then the glyph is branded red as a warning to future partners. We think it amusing to imagine a whole bunch of drow wandering around with strings of red spousal glyphs like cheap nightclub stamps all over the backs of their hands. Much to our childish dismay we are swiftly informed that this red branding is a rare occurrence and most divorces are ruled fairly resulting in a faded glyph instead.

Alanor’s personal speciality is dressmaking; she is lead designer for several ranges of thermal and outdoor wear but confesses that her passion isn’t in the practical clothing that forms the bread and butter of their business. It is a rare treat then when she is asked to design a unique item, one with likely limited saleability in the market. The wealthier members of society have on occasion requested she design outfits for them and as a side-project Alanor does make one-off custom clothes that, as her catalogue will attest, sell for hysterically extortionate prices. 

In dealing with customers Alanor tells us that women are unsurprisingly the worst offenders when it comes to demanding alterations and are also the worst when requesting specifics for their priceless gowns. In fact Alanor explicitly details that the things she least likes designing are, ‘frilly frocks, and baroque, gaudy fascinators that those puffed up princesses order and wear for one night only.’ Now aside from the fact that she knows her work is going to spend the rest of its miserable life gathering dust in a closet we assume it pains her to put her name to whatever cheap and tacky eye-catcher is en vogue for those precise five minutes.

After wasting a full thirty minutes talking about fashion we realised it was going to be a pretty dreary interview if we didn’t swiftly change the subject and so set the next line of enquiry to ‘any hobbies that don’t involve clothes.’ Following a raised eyebrow or three and a few flirty remarks at our Freudian slip we were surprised to learn that Alanor is more than adept with a bow and arrow. Whilst she doesn’t profess to be any good at riding or shooting from wyvern-back she tells us she has won many an archery competition in her time. Amused she relays that as a child her eye was so keen her father had hoped the idle hobby would transform into a profession. To this day she tells us she finds it laughable that her father wanted her to be an archer when all she really wanted to do was play with clothes and dress up dolls. She recalls how, in a backwards act of cunning defiance, she would make sure she was seen sneaking from the house with her bow and arrow and heading to the woods, where she would in her own words ‘proceed to sit and brazenly sew things.’

We’re not entirely sure how one ‘brazenly’ sews anything but to avoid stumbling back into a conversation about clothes we ask if she still practices archery. The answer in short, yes she does. Alanor tells us she likes to goes out hunting small game of a weekend with Mathias and Tomor, but ruefully explains how her niece seems to be ‘at that age’ and that Tomor is ‘more interested in chasing after older men than catching rabbits.’

The supportive and accepting type Alanor reveals that she is at times quite literally an agony aunt for Tomor’s woes. Thankfully as an understanding and well-rounded soul she has the patience of a saint and enjoys counselling young people. She relates that if she hadn’t made a success of clothing design she would like to have become a counsellor or teacher. However Alanor informs us that she believes in embracing opportunities as they present themselves and that as much as she loves children her career arrived first.

That’s not to say her career is the be all and end all. In fact she slyly saved the most exciting bit of news right until the end of the interview and then like some clandestine agent suddenly revealed that she is pregnant with her first child! We had wondered why there was a new range of thermal baby grows in her catalogue slapped next to the cocktail dresses.

After an intense round of congratulations and fawning from the staff, we ask if she thinks it will be tricky choosing which of the two surnames to gift to the child seeing as both families are equally prosperous. Alanor smiles broadly at this question and relates that she and Devahn have already agreed that the infant’s surname will be dictated by whichever business is doing best at the child’s time of birth. Now that’s strikes us as special, in a competitive ‘whoever is making the most money wins,’ kind of way, which incidentally doesn’t sit well with the steady and solvent personality we have been presented with over the past hour. All of which makes us wonder what other ‘little’ secrets seemingly open Alanor is keeping to herself.

Saturday, March 2, 2013

Drow Birth Glyphs


The images are finally complete and have a page of their very own!
Please head over to the 'drow birth glyphs' tab above to view the complete set.
 
How they work:
The drow use birth glyphs like we use star-signs to indicate likely personality traits.
The following exert from the compendium of drow lore best explains:

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Birth Glyphs
Total no. of glyphs in set: 46

Birth glyphs are used by the drow to denote personal attributes as defined by the four aspects of the season, weather, month and time of their birth. Every drow born into respected society is therefore imbued with a birth glyph which comprises of four symbols, one from each of the sets. Each glyph has both a positive and negative meaning which can be read as indicative to the true nature of the bearer. These glyphs always run down the left arm of an individual and should not be confused with those found elsewhere on the body. The same symbols also have different meanings when placed on inanimate objects, clothing or buildings.

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Arty note:

These glyphs were hand painted in Windsor and Newton water-mixable oils on 2.5x3.5in Bristol Vellum art trading cards and highlighted using with silver/black fine-liners. The variety of background colours is a representation of drow skin tones, the glyphs themselves are always pale blue, with the exception of criminals whose glyphs are forcibly branded red. All presented glyphs have been rendered in their original pale blue state.

Completed glyphs and their meanings can be found in the ‘drow birth glyphs’ tab above.
Please feel free to work out what your own birth sign would be and post in the comments below ^^